“l+3” Full conservatory plateau system
Loree Oboe Serial Numbers Year Fireproof 2008 Torrent Download Installation Source Registry Key Download Video Dragon Ball Z The Movie Sub Indo 3gp Sau Dard Hai Mp3 Ringtone Free Download Posted by 4 years ago. Loree Oboe Models; Archived. I am looking to buy an oboe. Loree Oboe Serial Number Age List 89e59902e3 Learn more about Selmer oboes. Filter Clear All. RDG Woodwinds offers an. The Loree oboes from the 1920s have rather thin wall thicknesses in comparison to the modern Loree oboes, producing a rather bright sound even when played with the long scrape 'Tabuteau' type reed. The Gordet (Kreul-Storch) oboes from the 1960s and 1970s have extremely thick walls in comparison to the modern Loree oboe. The Loree oboes from the 1920s have rather thin wall thicknesses in comparison to the modern Loree oboes, producing a rather bright sound even when played with the long scrape 'Tabuteau' type reed. The Gordet (Kreul-Storch) oboes from the 1960s and 1970s have extremely thick walls in comparison to the modern Loree oboe. Oboes - English Horn - Oboe d'Amore. Serial Number, Year Manufactured, -, Serial Number, Year Manufactured. A, 1881, -, #, 1882. O, 1900, -, #, 1901. Professional Pre- Loree CABART OBOE Serial # J1081 Wood. The oboe was manufactured in France, and the serial number is 71L15.
Grenadilla wood – silver-plated keys
Supplied with two silver-plated bocals
All trill keys – 3rd octave key
Left hand F key
Supplied with two silver-plated bocals
All trill keys – 3rd octave key
Left hand F key
This model is also available in full automatic system (Réf. “m+3“)
Windows 7 64 bit torrent. The Oboe d’Amore is also available in ROYAL model
(with the same specificities as the ROYAL English Horn)
(with the same specificities as the ROYAL English Horn)
Over the past 25 years Lorée instruments have offered me help, guidance, strength, and flexibility to expand my musical ideas, push my boundaries, and find my own voice. I am very grateful!
Eugene IzotovPrincipal oboe of the San Francisco Symphony
Performing on Lorée has made my artistic and professional life so rewarding. With all the variables inherent in playing the oboe, we have to be able to trust our instrument if nothing else! And I trust Lorée. We are so lucky to have this family of innovative perfectionists making the best oboes in the world and who support and encourage the artists that play on them.
Dwight ParryPrincipal oboe of the Cincinnati Symphony Orchestra
F. Toon boom storyboard pro. Lorée instruments enable me to be the best musician I can be. I feel there’s so many colours to be found, I can be flexible, create ‘my’ sound and take musical risks, safe in the knowledge my instruments won’t limit me or let me down.
Alison TealePrincipal cor anglais of the BBC Symphony Orchestra, Professor at the Guildhall School of Music
Pourquoi jouer depuis 30 ans les instruments F.Lorée ?
Si les qualités de finition et de fiabilité mécanique sont de par le monde unanimement reconnues et partagées par mes hautbois, hautbois d'amour et cor anglais, le musicien profite au quotidien de la fluidité, justesse parfaite sur toute la tessiture, richesse harmonique et surtout de la capacité des instruments F.Lorée à s'accorder au cœur et à l'âme du musicien, à se plier à ses moindres exigences sans lui imposer un son stéréotypé ou standardisé. Ces atouts forment un ensemble qui détermine au plus haut point le choix de l'artiste.
Si les qualités de finition et de fiabilité mécanique sont de par le monde unanimement reconnues et partagées par mes hautbois, hautbois d'amour et cor anglais, le musicien profite au quotidien de la fluidité, justesse parfaite sur toute la tessiture, richesse harmonique et surtout de la capacité des instruments F.Lorée à s'accorder au cœur et à l'âme du musicien, à se plier à ses moindres exigences sans lui imposer un son stéréotypé ou standardisé. Ces atouts forment un ensemble qui détermine au plus haut point le choix de l'artiste.
Stéphane GoyeauMusicien freelance, Professeur au conservatoire de Paris XVIII et au CRR de Reims
Lorée's craftsmanship, knowledge, and legacy in the instrument making world is legendary. Their instruments have a vast color palette with the unique ability to allow the individuality of each musician to shine through. They enable me to play the variety of repertoire that I enjoy and inspire me on a daily basis! Thank you for all the wonderful instruments over the years!
Nathan HughesPrincipal Oboe of the Metropolitan Opera of New York, Oboe Faculty at The Juilliard School
As a performer I am in need of extremes, in dynamics, in range, in expressivity, in colors, and I need an oboe which can deliver all of this and much more, instantly, without the need to bend my technique or my reeds to it. Throughout my entire career I have been blessed by playing Lorée oboes providing all the support I needed for my musical and technical demands. Lorées are 'Strads', they are instruments which invite me to reach higher and better.
Alex KleinPrincipal oboe of the Calgary Philharmonic Orchestra, Professor at DePaul University in Chicago
I would like to thank the Lorée company for making such great instruments that allow me to express myself the best way possible!
Dmitry MalkinEnglish horn of the Israel Philharmonic Orchestra
There is only one oboe which gives me the flexibility to express music in the way I envision, to color and shape the sound, and ultimately to allow me to sound like myself: Lorée.
![Oboe Oboe](/uploads/1/1/9/3/119369843/371229375.jpg)
Frank RosenweinPrincipal oboe of the Cleveland Orchestra
Since there are so many fine oboes being made today by a number of manufacturers, I am often asked 'why do YOU CHOOSE to play the F.Lorée oboe?'. My answer is simple: 'tone quality and intonation'. In addition, I am pleased with the extraordinary balance between stability and flexibility found in the oboes made by the de Gourdon Family.
Richard KillmerProfessor of Oboe, Eastman School of Music
I have been playing Lorees my entire career! I love the range of colors and the simultaneously sweet and dark sound. It offers an ideal balance between flexibility and stability. My Loree is the ultimate creative tool- I feel like I can do anything!
Mary LynchPrincipal Oboe of the Seattle Symphony
Un grand merci à la famille de Gourdon qui, à travers les instruments Lorée, continue à faire
vivre le véritable hautbois français avec sa sonorité si riche, pleine et unique.
vivre le véritable hautbois français avec sa sonorité si riche, pleine et unique.
Timothée OudinotMusicien freelance et membre du « Ciné-Trio »
I am proud to play Lorée oboes since 1972 and always appreciate the care with which they craft each individual instrument, as well as the dedication they show their customers. My Royal oboes are flexible, resonant, and colorful, with great intonation and keywork that allows me to play the most difficult technical passages with ease and fluidity. Thank you, Lorée, for your artistry and craftsmanship!
Nancy Ambrose KingFreelance Oboist, Professor of Oboe at the University of Michigan
Instrument Buying Guide
Established in 1881 by Francois Lorée, the firm F. Lorée was instrumental in the many innovations and developments of the day resulting in the introduction of the French Conservatory Plateau system. Upon his death in 1902 Francois's son, Lucien takes over the factory until 1925 when instrument maker Raymond Dubois purchases the company. Lucien Lorée remains with the firm and in 1945 is joined by Robert de
Gourdon, M. Dubois's son-in-law. Collaborating together they work on the many refinements and nuances that make the instruments of F. Lorée truly works of art. In 1967, Alain de Gourdon, Robert's son and current Chairman of the Firm begins his tenure. As the creative and business leader of F. Lorée, he propels the company to prominence in the oboe world. Anne de Gourdon, Alain's sister, plays an integral part in the running of the business and is a most engaging and charming representative of F. Lorée.
Tradition and Innovation
The reputation of F. Lorée instruments is based on a tradition of meticulous attention to detail as well as one of research, development and innovation. The wood, carefully selected pieces of Grenadilla from Mozambique, is aged for more than five years in a temperature and humidity controlled environment. The keys are forged from solid nickel silver, then plated with such a thick coat of silver or gold that it could bear the official French hallmark.
The exacting tolerances kept to when fitting the mechanism results in a highly dependable mechanism. Cork pads seated on airtight tone holes produce the ease of response and ability to achieve the subtle nuances that have been synonymous with the mark F. Lorée for decades.
A permanent staff training program and active participation of the technicians in a quality control program insures that Loree strive for perfection remains constant. It is only after passing numerous stringent final tests that the instrument deserves to be stamped with the name F. Lorée.
Gourdon, M. Dubois's son-in-law. Collaborating together they work on the many refinements and nuances that make the instruments of F. Lorée truly works of art. In 1967, Alain de Gourdon, Robert's son and current Chairman of the Firm begins his tenure. As the creative and business leader of F. Lorée, he propels the company to prominence in the oboe world. Anne de Gourdon, Alain's sister, plays an integral part in the running of the business and is a most engaging and charming representative of F. Lorée.
Tradition and Innovation
The reputation of F. Lorée instruments is based on a tradition of meticulous attention to detail as well as one of research, development and innovation. The wood, carefully selected pieces of Grenadilla from Mozambique, is aged for more than five years in a temperature and humidity controlled environment. The keys are forged from solid nickel silver, then plated with such a thick coat of silver or gold that it could bear the official French hallmark.
The exacting tolerances kept to when fitting the mechanism results in a highly dependable mechanism. Cork pads seated on airtight tone holes produce the ease of response and ability to achieve the subtle nuances that have been synonymous with the mark F. Lorée for decades.
A permanent staff training program and active participation of the technicians in a quality control program insures that Loree strive for perfection remains constant. It is only after passing numerous stringent final tests that the instrument deserves to be stamped with the name F. Lorée.
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Oboe - Cabart Oboe
For an interesting interactive timeline of the F. Lorée Company click here.
For a listing of F. Lorée serial numbers, click here.
Loree Oboe Serial Numbers
Mark Chudnow Woodwinds is a direct importer of F. Lorée instruments. Please contact us for current prices.